![]() ![]() Want to get physical with TRAKTOR DJ? Check out the 2-channel mixer, controller, and soundcard TRAKTOR KONTROL Z1: Want total physical control for TRAKTOR DJ? Try TRAKTOR KONTROL S2 or S4. Watch the TRAKTOR DJ intro video: Check out the TRAKTOR DJ Knowledge Base for support information: ELEVATE YOUR MIX. Minimum requirements are iPad mini, iPad 2, iPad (3rd generation) or higher, and iOS 7.0 or higher. It's still possible though, to sync metadata between two instances of TRAKTOR DJ. Please note: the Metadata sync feature has been removed from TRAKTOR PRO 2. Record your mixes live in high-quality on the iPad and share with your friends. Flux mode - remix your tracks live, then drop back in at exactly the right moment. ![]() Enhanced time-stretching, powered by elastique efficient V2 engine by velopment. External mixer mode for sending individual deck outputs to separate mixer channels (if used with TRAKTOR hardware or splitter cable). Plug-and-play integration with hardware controllers TRAKTOR KONTROL Z1, TRAKTOR KONTROL S2 and S4. Inter-app audio support allows TRAKTOR DJ to stream audio to other apps for further processing. Audiobus integration allows two-way control of TRAKTOR DJ with other compatible apps. 8 built-in pro DJ effects including Reverb, Delay, and dramatic glitch effects like BeatMasher. Notification Center gives you in-app access to tips and undiscovered techniques. Automatic tempo and key detection plus BPM sync for super-smooth mixing. Intelligent browser recommends songs based on compatible tempo and key. Stylish waveform display allows for simple looping and ultra-tight scratching. Direct access to your iTunes music library from TRAKTOR DJ. ![]() Familiar DJ mixer layout with crossfader, 3-band EQ, and filter on each channel. Touch the groove using familiar iOS swipe and pinch gestures. Revolutionary DJ app by Native Instruments - makers of the leading pro DJ software. "They worked on every little detail to get the app just right. "Traktor DJ brings real DJ tools to the masses. "It's wonderfully tactile and a lot of fun. "Incredibly well designed and packed with great features. Touch your tracks and create stunning mixes in seconds. The world's #1 pro DJ software brings high-impact DJing to iPad. ![]()
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![]() But in 2019, to stem conflation of its slang term niggas for racial slurring, Folds had stopped performing it. Surviving his 2008 attempt to retire it, it was a humorous fixture of his live sets into at least 2017. Further, in early 2005, rock artist Ben Folds released an abbreviated cover version -only Dre's and Snoop's lyrics, including the vulgar hook-a "hipster rendition," ironically sentimental, later called "a gorgeous piano ballad." In April 2005, it placed #71 on the main popular songs chart, the Billboard Hot 100. Still, when listening, a woman may instead identify even with the male vocalists and, singing along, feel herself aggrieved by "bitches." And amid numerous, borrowing artists, including the "Queen Bitch" Lil' Kim, some interpolate the hook to start, "Niggas ain't shit," disparaging men generically. Reportedly, in 1995, it motivated Sarah Jones's performance poem "Your Revolution," a feminist rebuke of salacious rap lyrics about women. Social critics alleging adverse cultural effects by gangsta rap have recurrently indicted this song. Becoming iconic, "Bitches Ain't Shit" reshaped both rap and R&B, which, merging, became popular music, reshaping America's popular culture, if largely by spurring women to criticize men, assert themselves, and often proclaim the title bitch. Dre and Snoop thus refashioned the rap gangsta from an angry menace to society, à la N.W.A, into an urban socialite, threatening violence only to guard his own lifestyle of leisure and indulgence. In 1994, at the ensuing Congressional hearings, Tucker called gangsta rap, especially Snoop's, "pornographic smut." Yet its foothold proved secure. ![]() Delores Tucker largely targeted this song, album, and record label. But in 1993, leading a national battle against gangsta rap, activist C. Its smooth musicality impelled gangsta rap-as The Chronic singles, lyrically milder-onto popular radio and music television. But even women often liked or loved the song, compelling in "the beat" and lyrical "flow." Meanwhile, Dre's musical sound, borrowing from funk and soul music, shaped a new rap subgenre, gangsta funk, G-funk. In an era when popular songs still idealized women, this song appalled many. With the closing verse, R&B singer Jewell, the only female, boasts indifference as "a bitch that's real." Until the album's 2001 reissue, this song was a hidden track-unforeseen by the album's first buyers -but, hitting especially hard, it helped drive album sales. Largely debuting via this album, Snoop also raps this song's hook, which reduces "bitches" to performing fellatio, and which fellow guest rapper Daz's verse heralds as "the anthem." Dre's verse, the song's first, overlooks literal women to disparage his former N.W.A bandmate Eazy-E as a "bitch," who allegedly cheated Dre of money, and to incidentally call N.W.A's manager Jerry Heller, allegedly complicit, "a white bitch." Snoop's own verse portrays a former girlfriend, unfaithful but perhaps fictitious, "a bitch named Mandy May." Between those verses, guest rapper Kurupt's verse, alike Daz's, demotes women to mere indulgences. ![]() Billboard notes, however, "the misogyny is ugly and thick, even for a rap record." It evokes a set of four male running mates who rap sagas and lessons altogether teaching that "bitches," being women, are ripe for sexual indulgence, and sometimes offer easy money, but, being traitorous, are just "hos and tricks." Simultaneously notorious and a rap favorite, this song, employing pimp values and language, helped establish the early persona of its guest rapper Snoop Dogg. In late 1993, discussing a set of public protests over this song, rap journalist Dream Hampton incidentally called it, artistically, the best song on the year's best rap album. ![]() ![]() Though never issued as a single, "Bitches Ain't Shit" was a huge underground hit. Dre's debut solo album, The Chronic, released in December 1992 as Death Row Records' first album. " Bitches Ain't Shit" is a rap song that closes American record producer and rapper Dr. Dre featuring Snoop Doggy Dogg, Dat Nigga Daz, Kurupt, and Jewell ![]() ![]() But now don’t worry, NCK Dongle Crack helps you to reset all your dead phones in some minutes. Sometimes, our cellular comes in dead situations and we cant reset them and any cell developer handles these issues. NCK Dongle 2.6.6 Crack is a versatile and rocks gadget maintenance all mobile telephones which might be based totally on android. Smooth operating software program has test and scan strategies to improve the operating of android devices and additionally decorate the performance of your mobiles. NCK Dongle Without Box clear up all vital and complicated repairing and flashing problems. You know, mobiles have many troubles like repairing, reset factory, flashing and additionally backup & restored problem. 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![]() ![]() The official drum kit from super producer Boi-1Da, which he put out in 2012. The Yamaha DX-FilesDownload them HERE for free.įREE UK DRILL LOOP KIT ‘PREMIER LEAGUE 2’ 2020 download hereġ50 samples from the Korg Electribe ER-1 Drum Synthesizer! The entire pack is 100% royalty-free and can be used for your own productions without paying anything or giving credits. As a bonus we included a free FLP so you can see exactly how the demo track was made. This Free Trap Melodies loop kit is compatible with all today’s DAW and samplers. ![]() Compatible with FL Studio, Ableton, Maschine and more. All drum sounds available inside this kit are 100 original and available exclusively only on. It’s packed with 15 tuned 808s, 66 one shot drum samples and 36 cymbals. Free Trap Drumkit X is a drum sound kit composed of 12 samples in WAV format. The “Bad Kit” is inspired by Wheezy’s productions and contains everything you need to cook up new beats. This link will guide in creating a samples folder using FL Studio if you need assistance. In another post, I talk about managing all of your samples in one folder. Please contact if you have any questions. The links below are from a lot of different sources. I learned much later that this can make or break your mix. As a beginner, I did not have these options or the knowledge about how choosing your sounds. I will be writing another post detailing how to choose your sounds when creating beats. These Free Sounds & Drum Kit Samples should help new music producers fill up their sound banks. Free Sample Packs | Sound effects | Drum Kits ![]() ![]() ![]() If the Product is no longer available, replacement may be made with a similar product of equal or greater value, at Shelly’s Grills LLC’s sole discretion. What will we do to help you? If the Product fails to conform to this warranty during the Warranty Period, Shelly’s Grills LLC will provide you with a reasonably similar replacement product that is either new or factory refurbished. Shelley’s Grill LCC will have no obligations under this warranty with respect to a declared fault on a product if it determines, in its sole discretion, that the Product is ineligible for coverage under this warranty. ![]() This warranty only applies if you report the fault online or by telephone, during the Warranty Period, immediately after the fault has been identified, providing a description of the alleged failure. Consult the customer care website or call the customer care phone number 1-88.įor parts or accessories, please call 1-88. How do you make a warranty claim? Save your receipt as proof of date of sale. For how long after the original purchase? Two years from the date of original purchase (the “Warranty Period”), with proof of purchase. ![]() Shelly’s Grills, LLC liability will not exceed the purchase price of the product. Shelly’s Grills LLC warrants to the end-user owner of the Johnsonville® Sizzling Sausage Grill Plus™ supplied with this warranty (the “Product”) that the Product will be free from defects in materials and workmanship. Shelly’s Grills LLC warrants the product sold under the terms and conditions as outlined in this warranty language. Shelly’s Grills, LLC and its products are not subject to the terms and conditions of 3rd party extended warranties or service agreements sold via external retail channels. TWO-YEAR LIMITED WARRANTY (Valid in the United States of America and Canada) Shelly’s Grills LLC and its products are covered by our direct warranty to you the consumer. ![]() ![]() ![]() ![]() It featured numerous guest appearances, including Rickey Medlocke (Lynyrd Skynyrd), Charlie Starr (Blackberry Smoke), and Dug Pinnick (King’s X). Released in 2018 by Sony Music, In the Wasteland was Miller’s third full-length solo release. “Never Turning Back” (Vocal Version) is a never-before-released version of the song of the same name from the soundtrack that Jason Charles Miller wrote last year for the streaming series “UnDeadwood.”Īn accomplished performer with more than two decades of professional experience as a singer, songwriter, producer, and voice actor, Jason Charles Miller has quietly established himself as a strong force in the Americana, Country, and Southern Rock genres. “Never Turning Back” – vocal version (Jason Charles Miller) ![]() “You’re About To” (Written by: Jason Charles Miller, Blue Foley)ħ. Produced and mixed by Grammy award-winning producer Matt Hyde, with Kenny Aronoff on DrumsĦ. “Reckless” (Written by: Jason Charles Miller, Stewart Cararas) Serves as the theme song to the podcast “What’s Your Name Again?” hosted by Actor Kurt Cacerasĥ. “Losing My Way” (Written by: Jason Charles Miller) “Day After Day” (Written by: Pete Ham)īadfinger cover, featuring Katie Cole (from Smashing Pumpkins) on vocals and Eban Schletter (film composer) on theremin.Ĥ. “Better Late Than Never” (Written by: Jason Charles Miller, Jonathan Tyler)įeaturing Adam Shoenfeld (Tim McGraw) on lead guitar and “Cowboy” Eddie Long (Jamey Johnson) on pedal steel.ģ. “Expiration Day” (Written by: Jason Charles Miller, Stewart Cararas)įeaturing Duane Betts from Allman Betts band on lead guitar.Ģ. And of course, I need to mention the great Matt Hyde – he produced my last full-length album, and we continue to work together when our schedules permit.”ġ. My long-time collaborator and friend Stewart Cararas was paramount in helping me complete both this album, and Part Two, another seven tracks that we are planning to release in summer 2021. ![]() I live in Los Angeles, so when friends from Nashville travel through on tour, I try and grab ‘em while I can and hit the record button – not to mention all the amazing musicians who live in Los Angeles. Miller – widely remembered as the voice of the rock band Godhead – commented about the collaborations: “I have so many friends who happen to also be great musicians, and I love collaborating with them. The album features several collaborations, including Adam Shoenfeld (Tim McGraw) playing lead guitar and “Cowboy” Eddie Long (Jamey Johnson) playing pedal steel on “Better Late Than Never,” Duane Betts of the Allman Betts Band on “Expiration Day,” and Katie Cole from Smashing Pumpkins on “Day After Day” along with Eban Schletter (film composer) playing the theremin. Produced by Jason Charles Miller, Stewart Cararas and Matt Hyde, From the Wreckage – Part One is Miller’s fifth full-length and sixth studio release. Straddling the line between rock and country, the new album is released through Miller’s own Haunted Mill Music record label, and puts his gritty, passion-filled style on full display. The man does it all,” noted American Songwriter. The man of many talents, Jason Charles Miller, combines his aptitudes on his new album, From the Wreckage – Part One, now available on all streaming platforms HERE. Singer, songwriter, touring musician, studio owner, voice actor, show host. – “They say variety is the spice of life, and for Jason Charles Miller, variety is definitely something his life does not lack. ![]() ![]() Or there’s the long overlooked Nicole Kidman and Sandra Bullock cult classic, Practical Magic where the Hollywood A-listers play two sisters who move in with their aunts and discover they have a rare skill: magic. Starring Bette Midler and Sarah Jessica Parker the film follows three witches who – having been resurrected 300 years after their death – are determined to enact revenge. Or perhaps you're in the mood to watch a horror movie that isn't quite as scary? Well you can always go for the ‘90s comical classic, Hocus Pocus. Prefer your horror on a shaky camcorder? Don't worry, The Blair Witch Project also makes an appearance. Keep an eye out for Ghostface in Scream Jigsaw in Saw Hannibal Lecter in Silence of the Lambs and literal Satan in The Omen. Not for the faint-hearted.ĭon't worry, we haven't forgotten the classics. ![]() It follows Maud, a reclusive nurse who finds herself caring for a retired dancer, Amanda, who she goes to extreme lengths to save from eternal damnation. The public’s fascination with found footage horror has come and gone, but every movie that takes this risk struggles to compete with the raw nature of 1999’s The Blair Witch Project. If you didn't manage to watch Saint Maud when it came out this time last year, now's the perfect time to play catch-up. Horror is a genre that has an excellent capacity to stylistically experiment, and one of the biggest movements is the push towards found footage horror. We've also included recent horror flicks, including Emily Blunt and John Krasinski's make-a-sound-and-die A Quiet Place, and former GLAMOUR cover star, Florence Pugh's Midsommer, which will make you soo thankful festival season is over. If you love a good twist (or seven), this film is your best bet. Even weirder things start to happen, which causes Celilia to wonder if she ever really escaped from him. It follows Cecilia Kass (played by Elisabeth Moss) who flees her violent boyfriend Adrian, only to learn later on that he's committed suicide, and left her a fortune. Heres a quick look at the absolute best of 90s horror that you can stream right now - from the meta-malice of Scream to the groundbreaking ghoulishness of The Blair Witch Project to actual Oscar. If you're still feeling brave, we dare you to say ‘Candyman’ five times in front of a mirror when you get home.įor more of a psychological thriller, The Invisible Man needs to go to the top of your list. In her 2021 film, Nia DaCosta takes a fresh look at the urban legend, using the perspective of an artist in gentrified Cabrini to unravel the true story behind Candyman. ![]() And how better to get your head in the game than by treating yourself (and an unfortunate friend) to a night of scary films? Luckily, we've done the hard work for you, rounding up the best for you to choose for your fright night: whether you consider yourself to be a gore connoisseur, have a flair for jump-scares, or are simply haunted by memories of fainting in GCSE Biology.įeeling brave? Why don't you pop down to the cinema to watch Candyman? Directed by Nia DaCosta and written by Jordan Peele, this supernatural slasher film takes place 30 years after the events of the original Candyman (1992), in which a cynical student haphazardly summons the vengeful spirit of a black man who was sadistically murdered in a racially-motivated attack. Halloween isn't just a one-night affair: it's a state of mind. ![]() ![]() SPSS Statistics is university site-licensed software and can be installed silently.
![]() ![]() The best-known portion is Malik's verse, which opens with a line that became a meme: "Hit or miss, I guess they never miss, huh?" Months after its release, "Mia Khalifa" achieved unexpected viral success on social media, especially among TikTok users. God, this was global, I couldn't escape it." Critics have praised the song for its unconventional catchiness, but it has also been criticized as off-key and misogynistic. Khalifa has not publicly commented on the song, however, a comment on a TikTok post on Jfrom Khalifa's official account miakhalifa stated that "This. ![]() iLoveFriday and their fans took the apparent hypocrisy seriously. A faked screenshot, intended as a joke, seemed to show Khalifa criticizing Malik for smoking while wearing a hijab in a music video. The decision to write a song dissing Khalifa arose over a misunderstanding. The song is a diss track targeting Mia Khalifa, a Lebanese-American Internet celebrity and former pornographic actress. ![]() It was included on their second EP, Mood (2019). The duo of Atlanta-based rappers Aqsa Malik (also known as Smoke Hijabi) and Xeno Carr self-released the song on February 12, 2018, which was later re-released by Records Co and Columbia Records on December 14, 2018. "Back When We Were Kids" and "First Time" followed in early 2019." Mia Khalifa" (originally titled " Mia Khalifa (Diss)", also known as " Hit or Miss", and sometimes stylized as MiA KHALiFA) is a song by American hip hop group iLoveFriday (stylized as iLOVEFRiDAY). The next year, they issued the single "Little Bit," which appeared on their EP To Dream. The duo's third full-length album, Just for Fun, appeared in the fall of 2015, and included the singles "Worse Things Than Love" (featuring Natalie La Rose) and "Guilty." The "Once in a While" single arrived in 2016, followed in early 2017 by the Too Much EP, which included "Raincoat," a collaborative single featuring Shy Martin. The album debuted at number eight on Billboard's Top 200 chart, buoyed by the singles "All the Way" and "Somebody Gon Get It," featuring T-Pain. Additional recording in their transplanted studio home of Los Angeles continued during the rest of the year.nnIn 2014, Timeflies returned with their sophomore album, After Hours. The single "I Choose U" followed in 2013. With subscriptions to the channel climbing at a quick rate, the Island/Def Jam label signed them and released their One Night EP in late 2012. On the Internet, Timeflies Tuesday soon became a regular feature of the band's video-sharing channel, with popular charting hits all getting the unique Timeflies treatment. ![]() They formed Timeflies in 2010, and a year later self-released their debut album, The Scotch Tape (the title a reference to Shapiro's love of drinking). Debuting in the early 2010s, the pair followed their first set, The Scotch Tape, with Top 10 sophomore effort After Hours in 2014.nn Members Rob Resnick (producer) and Cal Shapiro (vocals) first met while playing in the Ride, a funk band that gigged around Tufts University. The duo Timeflies combines pop songwriting styles with the studio tricks and big sounds of electronic dance music. ![]() |
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